High risk:  Why does anyone think DVI and its user-unfriendly 'copy-never' HDCP scheme are in the interest of the consumer or the manufacturer?

James Snider, Executive Director, 1394 Trade Association -- 8/1/2002
CommVerge

While in Tokyo last month, a young engineer with a notebook computer asked me what brought me to Japan. When I told him, he smiled and said that 1394 is the best known IEEE standard in the world.

Best-known or not, 1394 (aka FireWire and i.LINK) is the fastest, most reliable, and easiest to use. It also represents the future of home networking.

1394 has grown beyond its consumer base into an exciting set of automotive, industrial, and computer-peripheral applications. It's constantly improving. Soon, we'll see products built with the 1394b version, running at 800 Mbits/sec, sending audio and video distances of 100 meters through the home.

1394 is also user-friendly, with a built-in, proven copy-protection system, known as 5C (after the five industry leaders who developed it). 5C does its job without prohibiting users from copying audio or video for personal use, providing a "copy once," option, along with a stricter "copy never" prohibition.

1394 with 5C is an ideal combination for the home network. Anchored by the digital TV, or HDTV, a home network is a terrific application for 1394's peer-to-peer networking capability.

So what is the DVI (digital visual interface) doing hanging around the new generation of high-definition TVs? Why does anyone think DVI and its user-unfriendly "copy-never" HDCP (high-bandwidth digital content protection) scheme are in the interest of the consumer or the manufacturer?

Video hardware makers delivering product to the US (in Japan, HDTVs use 1394) keep fooling around with DVI to send uncompressed video through set-top boxes into the TV. This requires decompressing the compressed signals coming from a DVD player, satellite, cable receiver, or other source before they move to the TV—an inefficient task demanding huge amounts of processing power.

In addition, the DVI video scheme, along with its companion copy-never HDCP system, is now a favorite among Hollywood studios and music magnates, who are worried about protecting their content. They argue that illegal piracy should take precedent over users' rights, much as their industry ancestors argued that television would ruin the movie studios and later that the VCR would do the same. Their support for DVI makes for a lousy user experience, one that disregards the "digital right" to copy a movie or song for personal use.

Consumers should, and will, want to record anything digitally over the best possible system. There are early rumblings of class-action lawsuits against studios who deny digital rights. All this can be avoided by using 1394, with its high performance and sensible copying options.

My advice to manufacturers: Forget DVI. Efficient and user-friendly, 1394 delivers the future of consumer electronics and the home network. And to consumers: Insist on value, digital rights, and an exciting future.



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